So I’ve been thinking about henchmen recently. This came about because I was writing one. Or rather, I wasn’t writing one; I was typing the words “30s, well-built” into the pilot script of this strange 6-part crime drama I’m doing for the BBC. This was a guy standing guard over something for the antagonist (sorry, I can’t be more specific than that). I typed the words and was about to move on when I realised that, at some point, an actor would be cast to play this character and I would have to direct this actor and I’d probably need more up my sleeve than “he’s your age and he looks like you”.
This thought led me on to another which is that characters like this (and incidental boyfriends, bartenders, acquaintances of major characters, all the women in “True Detective”) are all too prevalent in screenwriting. They’re people who are necessary to the plot and so we write them as exactly what we need them to be and no more and we move on with the action and we rarely stop to realise how much better our stories would be if we wrote these characters differently.
Because we’re not meant to be writing plot, we’re meant to be writing story and story comes from character. It’s easy to forget that when we’re bombarded by screenwriting manuals that emphasise structure, and notes from the development people who’ve inhaled those manuals and are obsessed with act breaks and inciting incidents and whether characters are “likeable” (ugh).
But real people don’t fulfil functions in a story so easily. Real people are awkward but, if you let them be awkward, they’ll send your story in some interesting directions or, at the very least, make the damn thing a bit more textured.
I’ve lately been toying with a new way of generating these minor characters, a way that allows them to be born outside of the story and thereby forces the story to morph itself to accommodate them. This idea came from my recently renewed interest in table top role-playing games (Dungeons and Dragons, Call Of Cthulhu etc - my own peculiar mid-life crisis). These games all begin with character creation and those characters’ attributes are largely defined by dice rolls. It turns out that those dice throw up some pretty interesting results.
So let’s take my heavy (30s, well-built). First up, let’s give him a name. I’m going with Duncan because… Because I am, there’s really no foolproof system for naming people. Now I’m grabbing percentile dice (that’s two ten-sided dice, one displaying tens, one displaying units - you can get them from games shops or online or you can use an online generator like THIS ONE, in which you can just roll a d100 to get percentages) . First up, let’s get Duncan’s real age. He’s a heavy, working for our bad guy, so he’s going to be somewhere between 20 and 60, I reckon. There might be some clever maths to determine how many dice of what kind you can roll to get a result within those parameters but I’m a writer, not Brian Cox, so I’m just going to roll the d10s (that’s ten-sided dice for those of you with a life) until I get a result between 20 and 60… And I roll a 56. Duncan is 56 years old. This is already interesting because he’s older than I imagined, but we’ll see where it leads…
Now let’s get some attributes. I’m going to go with the RPG stalwarts: Strength, Dexterity, Intelligence, Constitution, Intelligence, Appearance, Size and Education. These attributes vary between games, and there are always dice rolls for other things too, but I’m pretty sure I don’t want Duncan to be a fucking Chaotic-Evil Half-Elf so I’m going to tailor the possibilities to the world of this story.
So Strength: I roll a 50. Bear in mind these are all scores out of a hundred, so Duncan the heavy isn’t as strong as I would necessarily expect. He’s probably about as strong as I am and no one is hiring me to beat people up…
Dexterity gets a 55. He’s not that quick on his feet either. Right now, I fancy my chances against Duncan in a fight.
Intelligence: 65. Okay, interesting. So Duncan the heavy is not as good at fighting as I was expecting, but he is a little smarter than the average henchman…
The Constitution roll yields a 75. Duncan is pretty fit and healthy, way above average. This story has a rural setting so I’m thinking Duncan is an outdoors type; maybe as a younger man he did manual labour and maybe he’s not as strong as he was but he still likes the fresh air and the sun on his skin.
Appearance is 35. Oh Duncan, you ain’t pretty. But maybe that’s because you’ve been in more than your fair share of fights; a busted nose, some scarring, cauliflower ears. Maybe Duncan used to be stronger and faster than he is now. Maybe that intelligence score suggests that Duncan realised that fighting was a young man’s game and got out before it go the better of him.
Size gets a 70. Now it’s up to me to decide whether he’s tall or fat or both (if it was muscle, his strength score would have been higher). I’m going to go with tall because that goes better with him being fit and healthy and it fits nicely with the picture I’m building in my head of an outdoorsman.
The last attribute is Education. Duncan gets another 50 on this. That’s dead on average for a character roll, but it’s above average within the company he keeps in this story and it’s high for hired muscle. He didn’t go to university but he probably got an A-level or some kind of post-16 qualification. In the company that Duncan keeps, this makes him a stone fucking genius. That’s interesting…
So my 30’s, well-built dude has become a relatively intelligent 56-year-old who got an education and who likes spending time outdoors, who was maybe a fighter when he was younger, and who is considered pretty smart by the people he works with. So Duncan wasn’t just hired for his muscle. Sure, he may be prepared to be brutal when required but maybe his advice is also sought on occasion? Maybe he actually has an opinion on what he’s asked to do. Maybe he even has a better idea sometimes… Perhaps he was a soldier once, or a cop… (Oh my God, he’s Mike from Breaking Bad, isn’t he?!)
And thus a character is born. There’s loads of room to flesh Duncan out, obviously, either by taking these numbers as a jumping-off point or by digging deeper into any particular role-playing game system to roll up more attributes and skills. This is only one way to do it and, even if you hate the idea of rolling dice, at least this points up the notion that these characters can and should be fleshed out. I wasn’t going to do very much with Duncan as a character before this but now I can see several other places in the story where he could function and even a couple of aspects of the story that he now changes just by being in them.
Implemented in more detail, the dice could throw up some really interesting possibilites; what if your lead investigator rolls up a crazy-low intelligence score? What if your hero is in a wheelchair, or can’t drive a car, or is brilliant at languages or origami?
What I like most about the dice is that they circumvent my natural instincts at character creation and force me to adapt my characters and stories to their random whims. I think most writers could benefit from changing things up a bit.
And now that I’m thinking about it, the hero in that movie idea I’m knocking around could maybe use a little dice-work…